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Issue 16
December 2004

This Issue of 411 Update Sponsored by: test spons

On the Set Services

Adriana’s Star Services provides trailers with beautiful wood floors and skylights, as well as today’s must-haves such as DSL and plasma televisions.
Production schedules never slow down. The stress and constant hustle of a 12-hour day on the set can make even the most laid-back cast or crew member loose their cool. State-of-the-art trailers and dressing rooms, craft service menus that cater to everyone’s dietary needs and wants, and even divine massage therapy services are becoming the norm these days, not the exception.

Adriana Aguiar of Adriana’s Star Services has supplied trailers, motor homes and portable bathrooms to the production community for eight years. She has worked with MIA Films, Chelsea Pictures and Backyard Productions among many others. Adriana tells us that the trailer and portable dressing room industry has changed a great deal in the last few years. Especially, she says, in terms of the kinds of onboard equipment that clients expect.

“The industry has become a lot more sophisticated. These days, our trailers and motor homes must come equipped with DSL, satellite dishes and plasma TVs, in addition to the leather sofas, professional make up areas, hardwood floors and skylights. Stars just want better services in general.”

It used to be that a stop at the Craft Service table was a way to fuel up or pass the time in between shots. In a world where everyone seems to be on some kind of special diet, the production catering community has had to step up to the plate. The guys at Big Screen Cuisine have been in business since 1989, providing food on the set of “When Harry Met Sally,” “Friends,” “West Wing,” “Collateral,” ER,” and “Will and Grace,” to name just a few. Owner, Scott Floman, tells us that his company has had more and more requests for low-fat, low-carb and other special dietary menus, especially in the past few years. Despite all of these dietary considerations, however, efficiency, says Floman, is still the name of the game when providing food for the production community.

“The most important thing in the studio industry is to be on time,” Floman told us. “I do not care how good your food is, if you can’t make it to the set on time, there will be problems. There are times when we’ve been given a two-hour notice to prepare food for 100 people.” Three words that Floman’s team, which is headed up by executive chef Oscar Garay, can’t do business without: “Fast, Fresh and Consistent.”

After a few long, hot hours in elaborate prosthetic make-up, or in between setting up shots for the trained llama who has forgoten his training, few people would turn down a moment or two of relaxation with an experienced and respected massage therapist like Tanja Barnes. Barnes has worked in the entertainment industry for eight years providing a wide variety of massage therapies, including La Stone Therapy, the Hawaiian massage technique of Lomi Lomi, Body Rolling, as well as the more traditional Swedish and Anma Shiatsu. According to Barnes, massage isn’t just for the celebrities on the set.

“Massage is something for every ‘body’ in that everybody can benefit form touch. Studies show that massage can enhance productivity and creativity, so I try to get my hands on as many people as I can in order to facilitate highly artistic productivity on the set.”

Tanja reveals that not everyone is comfortable taking time out and getting a full table massage in front of the entire cast and crew, so she also offers chair massages.

“I find that most everybody on set feels more comfortable taking five in a chair, where the recipient can also field questions or can look up from the face rest to participate in the production and its development.”

Tanja, who refers to herself as a “bodyworker” told us that she has worked with some of the most influential people in Hollywood, and respecting the privacy of her clients is her number one priority. Although she herself won’t give away whose muscles she has soothed, she says that her clients aren’t always so tight-lipped. “You see,” says Barnes, “I work very intimately with people because I touch a person, kneading tense muscles for an extended period of time. Because of that, my clients come to relax with me and may tell me things that they don’t want anyone else to know.”

www.adrianastar.com

www.tanjabarnes.com

Big Screen Cuisine: 818-526-0009


In this issue:






411 Collection
From Los Angeles to New York, the 411 directories are the number one source for qualified production listings. Plus - This year we have developed the all-new High Def 411 directory - the premier reference guide for any professional who needs facts about the exciting but complex world of high definition technology.



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